Digital Storyboard
Digital Storyboard
1.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Tree
branches rustle in the wind.
Cinematography:
Establishing-long shot of bench (introduces geography of the scene), bench is
centre of frame.
Mise-en-scène:
Setting – garden, Props – bench.
Sound: Diegetic
sound of birds chirping and the tree branches rustling in the wind.
Editing:
Duration – 3 seconds, Transition – cut, Pace - slow.
2.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia
stands in the garden.
Cinematography:
Medium close up shot of Olivia, Olivia is positioned in the left third of the
frame (shows her surroundings).
Mise-en-scène:
Setting – garden, Costumes – Olivia’s casual clothing, Make up – none.
Sound: Silence.
Editing:
Duration – 3 seconds, Transition – cut.
3.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia walks towards the bench.
Cinematography:
Tracking shot following Olivia.
Mise-en-scène:
Setting – garden, Props - bench.
Sound: Diegetic
noise of Olivia’s footsteps.
Editing:
Duration – 4 seconds, Transition – cut.
4.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia sits down on the bench.
Cinematography:
High angle shot.
Mise-en-scène:
Setting – garden, Props - bench.
Sound: Silence.
Editing:
Duration – 2 seconds, Transition – cut.
5.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia taps her feet on the ground.
Cinematography:
Close up shot.
Mise-en-scène:
Setting – garden, Props – bench,
Costumes –
Olivia’s shoes.
Sound: Diegetic
noise of Olivia tapping her feet on the ground.
Editing:
Duration – 2 seconds, Transition – cut.
6.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia sits nervously on the edge of the bench.
Cinematography:
Wide shot, Olivia is in the centre of frame.
Mise-en-scène:
Setting – garden, Props - bench.
Sound: Silence.
Editing:
Duration – 3 seconds, Transition – cut.
7.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia checks the time on her phone.
Cinematography:
Over the shoulder shot of Olivia’s phone, phone in centre of frame and shallow focus
draw attention to the phone.
Mise-en-scène:
Setting – garden, Props – bench & phone.
Sound: Silence.
Editing:
Duration – 3 seconds, Transition – cut.
8.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia quickly stands up from the bench.
Cinematography:
Wide shot, pans up as Olivia stands up.
Mise-en-scène:
Setting – garden, Props - bench.
Sound: Diegetic
sound of Olvia standing up.
Editing:
Duration – 2 seconds, Transition – cut, Pace – quick (to reflect movement).
9.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia walks away from the bench.
Cinematography:
Over the shoulder tracking shot of Olivia walking, lighting is darker.
Mise-en-scène:
Setting – garden.
Sound: Diegetic
sound of Olivia’s footsteps.
Editing:
Duration – 3 seconds, Transition – cut.
10.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia stops and hesitates, decides not to give into her fear.
Cinematography:
Medium close up shot, Olivia is in the centre of the frame.
Mise-en-scène:
Setting – garden.
Sound: Silence.
Editing:
Duration – 4 seconds, Transition – cut.
11.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia
turns around and returns to the bench.
Cinematography:
Medium close up shot of Olivia from the side, bright lighting.
Mise-en-scène:
Setting – garden, Props - bench.
Sound: Silence.
Editing:
Duration – 4 seconds, Transition – cut.
12.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia
nervously sits back down on the bench.
Cinematography:
High angle shot.
Mise-en-scène:
Setting – garden, Props - bench.
Sound: Silence.
Editing:
Duration – 3 seconds, Transition – cut.
13.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia is very nervous.
Cinematography:
Extreme close up shot of Olivia’s eyes, high-key lighting.
Mise-en-scène:
Setting – garden, Props - bench.
Sound:
Silence.
Editing:
Duration – 3 seconds, Transition – cut.
14.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action:
Olivia’s hands are shaking.
Cinematography:
Close up shot.
Mise-en-scène:
Setting – garden, Props - bench.
Sound:
Silence.
Editing:
Duration – 2 seconds, Transition – cut, Pace – quick (emphasises anxiety).
15.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia
begins hyperventilating.
Cinematography:
Low angle medium close up shot of Olivia.
Mise-en-scène:
Setting – garden, Props - bench.
Sound: Diegetic
noise of Olivia’s heavy breathing.
Editing:
Duration – 4 seconds, Transition – cut.
16.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia
looks out over the garden.
Cinematography:
POV-panning-long shot of garden from Olivia’s perspective.
Mise-en-scène:
Setting – garden.
Sound: Diegetic
sound of birds chirping.
Editing:
Duration – 3 seconds, Transition – cut.
17.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia
begins to calm down.
Cinematography:
Medium close up shot of Olivia.
Mise-en-scène:
Setting – garden, Props - bench.
Sound: Diegetic
sound of birds chirping.
Editing:
Duration – 3 seconds, Transition – cut.
18.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia’s
phone begins to ring.
Cinematography:
Close up shot of phone, Olivia’s face is reflected in the screen, shallow focus.
Mise-en-scène:
Setting – garden, Props – bench & phone.
Sound: Diegetic
sound of phone ringing.
Editing:
Duration – 3 seconds, Transition – cut.
19.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia
answers the call and lifts the phone up to her ear.
Cinematography:
Low-tilted angle shot of Olivia lifting up the phone to her ear.
Mise-en-scène:
Setting – garden, Props – bench & phone.
Sound: Silence.
Editing:
Duration – 3 seconds, Transition – cut.
20.
Slug Line: EXT.
OLIVIA’S GARDEN – DAY
Action: Olivia
listens to the interviewer through the phone.
Cinematography:
Extreme close up shot of Olivia’s face.
Mise-en-scène:
Setting – garden, Props – bench & phone.
Sound: Diegetic
muffled dialogue of interviewer coming through the phone.
Editing:
Duration – 4 seconds, Transition – cut.
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